Ring remover. A circular saw blade on a pair of pliers? These pliers are for removing finger rings when their owners had gained too much weight. The slim tongue of the lower jaw is slipped between the ring and finger. The small circular saw blade is turned with the handle, while light pressure is applied. Source: Hawley Collection web site.
Ken Hawley, now in his 80s, ran a Sheffield tool shop for many years and has amassed a huge collection of edge-tools, hand tools, cutlery and measuring tools, tool catalogues etc, mainly from Sheffield, and now housed in a University of Sheffield building.
http://www.shef.ac.uk/hawley/index.html
When I visited my uncle in Uruguay in 1986 I took him some chisels bought from Ken, and with my uncle visiting Sheffield this week I was lucky enough to be shown the collection by Ken.
Ken expounded on (for example) the 5000 different types of butcher's knife that one Sheffield knife company used to produce, and the hundreds of different kinds of plough-blade. I learned about the process of forging a spade from a single T-shaped block of steel, about file cutting, about the skills of saw-straightening, and about the design of modern vibration-reduced hammers. I'd not realised that there is extensive re-use of the steel from old tools - for example saw-steel is good for spurs, or for wide flat blade production generally; old files make excellent knife blades.
The collections consists of an upstairs in which there are hundreds of boxes of tool catalogues and related printed material (was that a handwritten sign on the door to the catalogue-area saying "nothing is miscellaneous"?), a downstairs where there are shelves of hundreds of numbered cardboard boxes full of different types of hand tools, knives, files, drill-bits, artist's pallet knives etc, and racks of saws, scythes, sheep-shears etc, roughly organised by class. (I was tempted to call this post "Heidegger would have had a field day", given his interest in what qualifies a tool as a tool.) There are also two locked lorry containers on the carpark which are stuffed with a large quantity of as yet unsorted tools.
Ken Hawley seems to have the catalogue in his head, moving effortlessly between the shelves to grab a box of tools to illustrate a point. I was struck by the way that the meaning of an artefact like a tool is so dependent on either knowing how to use it, or by having someone on hand to explain its use, design, manufacturing process etc, and by the way that these old hand-made tools embody such a lot of tacit undocumented know-how on the part of the men and women who made them. (Is this the "meta-data of artefacts"? If yes, how can it be recorded? Here is a partial answer.)
Anyway, the main purpose of this piece is to say that if you are ever in Sheffield, and can arrange it, you should make a point of visiting the Hawley Collection. You'll not get a better example of an old-style categorisation and cataloguing challenge; alongside this the collection is intrinsically fascinating in its own right.
See also: The externalisation of meaning about David Weinberger's "Everything is miscellaneous".
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